Getting the call to work on Guillermo del Toro’s Frankenstein was a genuine thrill for me. I was tasked with documented the incredible intricate model work of José Granell and his amazingly talented team at The Magic Camera Company, capturing every meticulous detail for Javier Soto, Guillermo’s trusted documentarian. I’ve been a huge fan of practical model work in film and television and since childhood, and sharing that with Guillermo, and getting to talk to him about all things horror, was a dream come true.